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THE END(S) OF CRITICAL THINKING
November 2006

1. Could there be a creative and collaborative approach to critical thinking?

  • The trope of academic writing is authority.
  • Fact: academic thinking always already implies textual ownership.
  • The term “critical thinking” needs unpacking.
  • Critical thinking should be driven by disciplinary conventions.
  • The usual method is “Back to basics” (Hacker, Alred, et al).
  • A more open-ended context might be worth experimental usage.

2.   Critical thinking as awareness of the reader’s mind.

  • A conversation between the writer and a text.
  • Polyphonic conversations that include the reader.
  • Rubrics as an index of the reader’s perceptions.
  • Writer individuation (reciprocal with reader’s ego)

3.  Critical thinking as architecture.

  • Using thought to divide and rebuild textual space
  • Categories as building blocks
  • “Moves” in writing (includes traditional categories, i.e. cause ~~> effect).
  • Writing as flow, critical thinking as segmentation, re-direction
  • Suggestions for classroom use?  Small-groups, peer review, discussion boards?

 

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