Instrumental/Guard Audition Material

All students (instrumental and guard) must complete an audition to enter the band program. Contact the Band Staff to schedule a date for a tour of campus and an audition time. What we want to hear is music that best demonstrates your abilitiy on your instrument(s).  Don't let the word audition scare you. We just want to hear how you play, that's all.  It's a way for you to come to campus to learn some more about our University and our program. It's very low-key.
 
Auditioning students should prepare the following:
  • (Brass/Woodwind) Bb Concert scale, 2 octaves, half notes at 100 beats per minute
  • (Brass/Woodwind) Eb Concert scale, 1 octave, half notes at 100 beats per minute
  • (Brass/Woodwind) G Concert scale, 2 octaves, half notes at 100 beats per minute
  • (Everyone) Two pieces of contrasting styles. You may anything you want, such as honors audition pieces, pieces from your school ensemble, or something from private lessons. If you play more than one instrument, you are more then welcome to play your other instrument(s) as well! If you own your own instrument it is preferred that you perform on your instrument because that is what you are most comfortable with.  If you will need to use one of our instruments for the audition (low brass/percussion), please make sure you inquire before-hand.  
The music listed below is a list of recommended pieces if you do not have anything else in mind or if you would like something else to prepare.  These specific pieces are not required, but are here as an option for you.  Please bring a copy of all the music you will be performing with you for the staff to follow while you play. 

Please contact Andy Kolar at kolara@sacredheart.edu with any questions.  
 
Woodwinds
Flute
  • Sonata in F Major (Second Mvmt- Allegro) by Benedetto Marcello Flute PDF
Clarinet
Bass Clarinet
Oboe
  • Sonate II (Movement II- Allegro) by G.F. Handel  Oboe PDF
Bassoon
Alto Sax
  • Sonata No. 3 (Mvmt. II- Allegro) by G.F. Handel  Alto Sax PDF
Tenor Sax
Bari Sax

Brass

Trumpet

  • Sonata Movements (from Sonata in DM, Mvmt II-Allegro) by G.F. Handel  Trumpet PDF
Horn
  • Romanza and Rondo (Rondo Mvmt)  by W.A. Mozart  Horn PDF
Trombone/Baritone
  • Etude No. 3, trans. & arr. by Joannes Rochut (Melodious Etudes for Trombone, Book 1- Bordogni)  Trombone/Baritone PDF
Tuba
  • Study #90, by Robert W. Getchell/ ed. Nilo W. Hovey (Second Book of Practical Studies for Tuba)  Tuba1 PDF
  • Study #42, by Robert W. Getchell/ ed. Nilo W. Hovey (First Book of Practical Studies for Tuba)  Tuba2 PDF
Strings
Violin
  • Easy- Pachelbel's Canon, by Johann Pachelbel/ arr. Donald Fraser  Pachelbel PDF
  • Moderate- Concerto in A minor, by Antonio Vivaldi  Vivaldi PDF
  • Difficult- Czardas, by Vittorio Monti  Czardas PDF
Viola
  • Easy- Gavotte, by P. Martini (Suzuki, Book 3)  Gavotte PDF
  • Moderate- Concerto in G, by Telemann  Telemann PDF
  • Difficult- Concerto in D Op. 1, by Stamitz  Stamitz PDF
Cello
  • Moderate- The Swan, by Saint-Saens  Swan PDF
  • Difficult- Kol Nidrei, by Max Bruch  Bruch PDF
Bass
Guitar/Bass Guitar
  • We would like to hear a few different styles.  (Jazz, Blues, Rock, Bluegrass, etc...) For example, something chordal and also something more melodic. Different strumming/plucking techniques are welcome.  If you are playing electric guitar/bass, we can provide an amp but you must provide any necessary cables/pedals.
Percussion
Snare Drum:
  • Perform 2 Pyramid-style rudiments of your choice (start at a slow tempo, get to the fastest tempo possible while maintaining interpretation and sound quality, then slow down to original tempo)
  • Etude #5, by Mitchell Peters (Intermediate Snare Drum Studies) Peters 5 PDF
  • Single Strokin', by Edward Freytag (The Rudimental Cookbook)  Snare PDF
Keyboard:
  • Perform 2 scales up and down, major or minor, 2 octaves
  • Musette, by J.S. Bach/ trans. Mark Johnson (Solos and Etudes for Marimba) Musette PDF
  • Yellow After the Rain, by Mitchell Peters (4-Mallet, excerpt only)  Yellow PDF
Timpani:
  • Perform half-scales up and down in half-notes (Do-Re-Mi-Fa-So-Fa-Mi-Re-Do) (29" or 26")
  • Etude No. 3, by Mitchell Peters (2-drum) (Fundamental Method for Timpani)  Timp PDF
  • Etude #4, by John Beck (4-drum) (Concepts for Timpani) Timp2 PDF
Drum set:
  • Play both jazz and rock styles (16-bar phrases or so)
    • We're looking for time-keeping, rhythmic clarity, sound quality, comping patterns, blend
Marching Percussion:
Latin/Brazilian:
  • Basic patterns on Conga, Bongo, Clave, Timbale, Cowbell, Pandeiro
Colorguard/Winterguard
We're basically looking for basic spinning and tossing techniques. The fancy and flashy stuff can be taught but fundamentals are very important. We understand that different programs have different names for techniques, so just do your best. Weapon experience is not required, but we do use both rifle and sabre.  

Flag:
  • Right & Left Drop Spins
  • Pole Hits
  • Half, Whole, and 1.5 Tosses
  • Parallel Tosses
  • 45 Tosses
Weapon:
  • Right & Left Spins
  • Left Hand Tosses up to 5s
  • Blade Tosses on sabre up to Triples
  • Spins & Stops
It would be nice to see your spinning skills in context of a part of a routine or show. You could make it up or it could be part of a past show you've done.  It should incorporate dance & spinning skills. You can use music or choose to perform without it, but you will need to bring a CD player or speakers for yourself. Please also wear something that you can move adequately in to demonstrate your skill.